Adriaen Willaert - schilderij door Titiaan

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wetenschappelijkE bibliografie

Deze alfabetisch en chronologisch geordende bibliografie poogt een omvattend overzicht te bieden van de secundaire literatuur die sinds de 19 de eeuw over Adriaan Willaert is verschenen. In deze lijst zijn ook publicaties opgenomen die Willaerts oeuvre in een breder historisch, analytisch, artistiek en religieus kader plaatsen. Deze bibliografie is uiteraard voor uitbreiding vatbaar. Opmerkingen en/of suggesties hieromtrent kunnen gestuurd worden naar katelijne.schiltz@gmx.de.
De werken met * kunnen geraadpleegd worden in ons infocentrum.

  1. Alfabetisch volgens de auteur
  2. Chronologisch

A. Alfabetisch volgens de auteur

A · B · C · D · E · F · G · H · I · J · K · L · M · N · O · P · Q · R · S · T · U · V · W · X · Y · Z

A

Agee , Richard J., "Filippo Strozzi and the Early Madrigal", in: Journal of the American Musicological Society 38 (1985), 227-237.

Agee , Richard J., "Ruberto Strozzi and the Early Madrigal", in: Journal of the American Musicological Society 36 (1983), 1-17.

Agee , Richard J., "The Venetian Privilege and Music-Printing in the Sixteenth Century", in: Early Music History 3 (1983), 1-43.

Agee , Richard J., The Privilege and Venetian Music Printing in the Sixteenth Century , Ph.D. Princeton University 1982.

Almquist , Bradley Leonard, Adrian Willaert's "Musica Nova" Selected Motets: Editions and Commentary , Ph.D. Louisiana State University and Agricultural and Mechanical College 1993.

Antonowytsch , Myroslav, Die Motette Benedicta es von Josquin de Prez, und die Messe super Benedicta von Willaert, Palestrina, de la Hêle und de Monte , Utrecht 1951.

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B

Bartoli , Rebecca, "L'apprendistato italiano di Orlando di Lasso", in: Studi musicali 20 (1991), 235-265.

Beck , Hermann, "Adrian Willaerts Messen", in: Archiv für Musikwissenschaft 17 (1960), 215-242.

Beck , Hermann, "Adrian Willaerts Motette Mittit ad Virginem und seine gleichnamige Parodiemesse", in: Archiv für Musikwissenschaft 18 (1961), 195-204.

Beck , Hermann, "Grundlagen des venezianischen Stils bei Adrian Willaert und Cyprian de Rore", in: Jozef Robijns, Willem Elders, Roelof Lagas en Guido Persoons (uitg.), Renaissance-muziek 1400-1600. Donum natalicium René Bernard Lenaerts , Leuven 1969, 39-50.

Berger , Karol, Theories of Chromatic and Enharmonic Music in Late 16th Century Italy , s.l.: UMI Research Press 1980 (= Studies in Musicology 10).

Bernstein , Jane A. (uitg.), Adrian Willaert: The Complete Five and Six-Voice Chansons , New York-Londen 1992 (= The Sixteenth-Century Chanson 23).

Bernstein , Jane A., Music Printing in Renaissance Venice: The Scotto Press (1539-1572) , New York 1998.

Bernstein , Jane A., Print Culture and Music in Sixteenth-Century Venice , Oxford 2001.

Bernstein , Lawrence F. (uitg.), La couronne et fleur des chansons a troys , 2 vol., New York 1984 (= Masters and Monuments of the Renaissance 3).

Blackburn , Bonnie J., "Music and Festivities at the Court of Leo X: A Venetian View", in: Early Music History 11 (1992), 1-37.

Blackburn , Bonnie J., Edward E. Lowinsky en Clement A. Miller (uitg.), A Correspondence of Renaissance Musicians , Oxford 1991.

Blackburn , Bonnie J., Music for Treviso Cathedral in the Late Sixteenth Century , Londen 1987 (= Royal Musical Association Monographs 3).

Bossuyt , Ignace, " O socii durate : A Musical Correspondence from the Time of Philip II", in: Early Music 26 (1998), 432-443.

Bossuyt , Ignace, " O socii durate : Antoine Perrenot de Granvelle en de Vlaamse polyfonist Adriaan Willaert (ca. 1490-1562). Nieuwe gegevens op basis van de in Madrid bewaarde correspondentie van Granvelle", in: Krista De Jonge en Gustaaf Janssens (uitg.), Les Granvelle et les anciens Pays-Bas. Liber doctori Mauricio Van Durme dedicatus , Leuven 2000 (= Symbolae Facultatis Litterarum Lovaniensis B.17), 321-340.

*Bossuyt, Ignace "De Vlaamse Polyfonie", Leuven,1994 (samen met een reeks cd's van EUFODA)

*Bossuyt , Ignace, Adriaan Willaert (ca. 1490-1562). Leven en werk. Stijl en genres , Leuven 1985.

Brown , Howard Mayer, "Bossinensis, Willaert and Verdelot: Pitch and the Conventions of Transcribing Music for Lute and Voice in Italy in the Early Sixteenth Century", in: Revue de musicologie 75 (1989), 25-46.

Brown , Howard Mayer, "Words and Music: Willaert, the Chanson and the Madrigal about 1540", in: Christine Smith en Salvatore I. Camporeale (uitg.), Florence and Venice: Comparisons and Relations. Acts of two Conferences at Villa I Tatti in 1976-1977 , vol. 2: Il Cinquecento , Firenze 1980 (= Villa I Tatti. The Harvard University Center for Italian Renaissance Studies 5), 217-266.

Bruno, Luca. Theory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (1542-1545). Rende: Università della Calabria, 2008

Bryant , David, "Alcune osservazioni preliminari sulle notizie musicali nelle relazioni degli ambasciatori stranieri a Venezia", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 181-192.

Bryant , David, "La musica nelle istituzioni religiose e profane di Venezia", in: Girolamo Arnaldi en Manlio Pastore Stocchi (uitg.), Storia della cultura veneta , vol. IV, dl. 1, Vicenza 1983, 433-447.

Bryant , David, "Liturgia e musica liturgica nella fenomenologia del Mito di Venezia ", in: Giovanni Morelli (uitg.), Mitologie. Convivenze di musica e mitologia. Studi e testi , Venetië 1979, 205-214.

Bryant , David, "The cori spezzati of St Mark's: Myth and Reality", in: Early Music History 1 (1981), 165-186.

Bryant , David, Liturgy, Ceremonial and Sacred Music in Venice at the Time of the Counter-Reformation , Ph.D. King's College University of London 1981.

Bujic , Bojan, "Palestrina, Willaert, Archadelt and the Art of Imitation", in: Recercare 10 (1998), 105-131.

Butchart , David, " La Pecorina at Mantua, Musica Nova in Florence", in: Early Music 13 (1985), 358-366.

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C

Caffi , Francesco, Storia della musica sacra nella già cappella ducale di S. Marco in Venezia (dal 1318 al 1797) , uitg. dr. Elvidio Surian, Firenze 2 1987 (= Studi di musica veneta 10).

Carapetyan , Armen, "The Musica Nova of Adriano Willaert", in: Journal of Renaissance and Baroque Music 1 (1946-1947), 200-221.

Cardamone , Donna G. (uitg.), Adrian Willaert and His Circle: Canzone villanesche alla napolitana and villotte , Madison 1978 (= Recent Researches in the Music of the Renaissance 30).

Carey , Frank, "Composition for Equal Voices", in: Journal of Musicology 9 (1991), 300-342.

Cattin , Giulio, Musica e liturgia a San Marco. Testi e melodie per la liturgia delle ore dal XII al XVII secolo. Dal Graduale tropato del duecento al graduali cinquecenteschi , 3 vol., Venetië 1990.

Chapman , Catherine Weeks, Andrea Antico , Ph.D. Harvard University 1964.

Columbro , Mary Electa, Ostinato-Technique in the Franco-Flemish Motet, 1480-ca. 1562 , Ph.D. Case Western Reserve University 1974.

Cumming , Julie E., "Music for the Doge in Early Renaissance Venice", in: Speculum 67 (1992), 324-364.

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D

Dahlhaus , Carl, Untersuchungen über die Entstehung der harmonischen Tonalität , Kassel etc. 2 1988.

Dammann , Rolf, "Spätformen der isorhythmischen Motette im 16. Jahrhundert", in: Archiv für Musikwissenschaft 10 (1953), 16-40.

Dunning , Albert, Die Staatsmotette, 1480-1555 , Utrecht 1970.

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E

Eggers , Wolfgang, Die "Regola Rubertina" des Silvestro Ganassi. Venedig 1542/43. Eine Gambenschule des 16. Jahrhunderts , Kassel etc. 1974.

Einstein , Alfred, "The 'Dialogo della musica' of Messer Antonfrancesco Doni", in: Music & Letters 15 (1934), 244-253.

Einstein , Alfred, The Italian Madrigal , vert. dr. Alexander H. Krappe, Roger H. Sessions en Oliver Strunk, 3 vol., Princeton, New Jersey 1949.

Elders , Willem, Studien zur Symbolik in der Musik der alten Niederländer , Bilthoven 1968.

Elders , Willem, Symbolic Scores. Studies in the Music of the Renaissance , Leiden-New York 1994 (= Symbola et Emblemata. Studies in Renaissance and Baroque Symbolism 5).

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F

Feldman , Martha, "Rore's selva selvaggia : The Primo libro of 1542", in: Journal of the American Musicological Society 42 (1989), 547-603.

Feldman , Martha, City Culture and the Madrigal at Venice , Berkeley-Los Angeles 1995.
Volledig te lezen via internet. Tik hier:
http://www.escholarship.org/editions/view?docId=ft238nb1nr&brand=ucpress

Feldman , Martha, Venice and the Madrigal in the Mid-Sixteenth-Century , Ph.D. University of Pennsylvania 1987.

Fenlon , Iain, "Magnificence as Civic Image: Music and Ceremonial Space in Early Modern Venice", in: Fiona Kisby (uitg.), Music and Musicians in Renaissance Cities and Towns , Cambridge 2001, 28-44.

Fenlon , Iain, "Music at St. Mark's Before Willaert", in: Early Music 21 (1993), 547-563.

Fenlon , Iain, "Music, Ceremony and Self-Identity in Renaissance Venice", in: Francesco Passadore en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998, 7-21.

Fenlon , Iain, "Strangers in Paradise: Dutchmen at St. Mark's in 1525", in: Patrizia Dalla Vecchia en Donatella Restani (uitg.), Trent'anni di ricerche musicologiche. Studi in onore di F. Alberto Gallo , Rome 1996, 323-337.

Fenlon , Iain, "Venice: Theatre of the World", in: Iain Fenlon (uitg.), Man and Music. The Renaissance from the 1470s to the End of the 16th Century , New Jersey 1989, 102-132.

Fenlon , Iain, Music and Culture in Late Renaissance Venice , Oxford 2002.

Ferro , Anna L. H., Aspects of Modal Representation in Musica nova (1540) , MM Thesis University of London, Royal Holloway & Bedford College 1990.

Finscher , Ludwig en Annegrit Laubenthal, "'Cantiones sacrae quae vulgo motecta vocantur'. Arten der Motette im 15. und 16. Jahrhundert", in: Ludwig Finscher (uitg.), Die Musik im 15. und 16. Jahrhundert , vol. 2, Laaber 1990 (= Neues Handbuch der Musikwissenschaft 3), 277-370.

Finscher , Ludwig, "Von Josquin zu Willaert - ein Paradigmenwechsel?", in: Hanns-Werner Heister (uitg.), Musik/Revolution. Festschrift für Georg Knepler zum 90. Geburtstag , vol. 1, Hamburg 1997, 145-173.

Freedman , Richard, "Claude Le Jeune, Adrian Willaert and the Art of Musical Translation", in: Early Music History 13 (1994), 123-148.

Freedman, Richard, "Music in the Renaissance". Norton, 2012

Freedman, Richard, "Anthology for Music in the Renaissance" in de reeks "Western Music in Context - A Norton History". New York, Londen, 2013. Ter aanvulling van "Music in Renaissance".

Freeman , Daniel E., "On the Origins of the Pater noster - Ave Maria of Josquin des Prez", in: Musica Disciplina 45 (1991), 169-219.

Fromson , Michèle Yvonne, "Themes of Exile in Willaert's Musica Nova ", in: Journal of the American Musicological Society 47 (1994), 442-487.

Fromson , Michèle Yvonne, "Zarlino's Modal Analysis of Willaert's Avertatur obsecro ", in: Rossana Dalmonte en Mario Baroni (uitg.), Studi e testi 1. Secondo convegno europeo di analisi musicale , Trente 1992, 237-248.

Fromson , Michèle Yvonne, Imitation and Innovation in the North Italian Motet, 1560-1605 , 2 vol., Ph.D. University of Pennsylvania 1988.

Fubini , Enrico, "Zarlino, Venezia e la musica strumentale", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 387-402.

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Gasch, Stefan (ed.) en Lodes, Birgit (ed.), Tod in Musik und Kultur : zum 500. Todesdag Philipps des Schönen. Wiener Forum für ältere Musikgeschichte, 2. Tutzig. 2007

*Gerstenberg , Walter (uitg.), Adrian Willaert. Drei Motetten zu fünf Stimmen , Wolfenbüttel 1956 (= Das Chorwerk 59).

Getz, Christine Suzanne. Music in the Collective Experience in Sixteenth-Century Milan , Ashgate 2005.

Giazotto , Remo, Harmonici concenti in aere veneto , Rome 1954.

Glixon , Jonathan, "A Musicians' Union in Sixteenth-Century Venice", in: Journal of the American Musicological Society 36 (1983), 392-421.

Glixon , Jonathan, " Con canti et organo : Music at the Venetian scuole piccole during the Renaissance", in: Jessie Ann Owens en Anthony M. Cummings (uitg.), Music in Renaissance Cities and Courts. Studies in Honor of Lewis Lockwood , Michigan 1997, 123-140.

Glixon , Jonathan, " Far una bella procession : Music and Public Ceremony at the Venetian scuole grandi ", in: Richard Charteris (uitg.), Altro Polo. Essays on Italian Music in the Cinquecento , Sydney 1990, 190-220.

Glixon , Jonathan, "Music and Ceremony at the Scuola Grande di San Giovanni Evangelista: A New Document from the Venetian State Archives", in: Konrad Eisenbichler (uitg.), Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities , Kalamazoo-Michigan 1991 (= Early Drama, Art, and Music Monograph Series 15), 56-89.

Glixon , Jonathan, "Music at the Scuole in the Age of Andrea Gabrieli", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 59-74.

Glixon , Jonathan, "Music at the Venetian Scuole Grandi, 1440-1540", in: Iain Fenlon (uitg.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts , Cambridge 1981, 193-208.

Glixon , Jonathan, "The Musicians of the cappella and the scuole : Collaboration or Competition?", in: Francesco Passadore en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998, 301-312.

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H

Haar , James, "False Relations and Chromaticism in Sixteenth-Century Music", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 93-120.

Haar , James, "Music in 16th-Century Florence and Venice: Some Points of Comparison and Contrast", in: Christine Smith en Salvatore I. Camporeale (uitg.), Florence and Venice: Comparisons and Relations. Acts of Two Conferences at Villa I Tatti in 1976-1977 , vol. 2: Il Cinquecento , Firenze 1980, 267-284.

Haar , James, "Notes on the 'Dialogo della musica' of Antonfrancesco Doni", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 271-299.

Haar , James, "The Libraria of Antonfrancesco Doni", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 323-350.

Haar , James, "The Note Nere Madrigal", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 201-221.

Haar , James, "Zarlino's Definition of Fugue and Imitation", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 121-148.

Harrán , Don, Word-Tone Relations in Musical Thought from Antiquity to the Seventeenth Century , Neuhausen-Stuttgart 1986 (= Musicological Studies & Documents 40).

*Holzer, Irene. "La Santa unione de le Note" Kompositionsstrategien in Adrian Willaerts Messen. Doctoraatsdissertatie univ. Salzburg. 2010. (digitaal)

Horn , Wolfgang, "Adrian Willaerts 'anderer Vesperdruck'. Bemerkungen zu den
Psalmvertonungen in I sacri e santi salmi che si cantano a Vespro e Compieta ", in: Ulrich
Konrad, Jürgen Heidrich en Hans Joachim Marx (uitg.), Musikalische Quellen - Quellen zur
Musikgeschichte.
Festschrift für Martin Staehelin zum 65. Geburtstag , Göttingen 2002, 141-
157.

Horn , Wolfgang, "Est modus in rebus". Gioseffo Zarlinos Musiktheorie und Kompositionslehre und das "Tonarten"-Problem in der Musikwissenschaft , 2 vol., onuitg. Habilitationsschrift, Hochschule für Musik und Theater Hannover 1996.

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Judd , Cristle Collins, Reading Renaissance Music Theory. Hearing with the Eyes , Cambridge 2000 (= Cambridge Studies in Music Theory and Analysis 14).

Just , Martin, "Zur Kanontechnik in Adrian Willaerts Motetten", in: Hermann Dechant en Wolfgang Sieber (uitg.), Gedenkschrift Hermann Beck , Laaber 1982, 19-31.

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K

Keyser , Dorothy, "The Character of Exploration: Adrian Willaert's Quid non ebrietas ", in: Carol E. Robertson (uitg.), Musical Repercussions of 1492: Encounters in Text and Performance , Washington 1992, 185-207.

*Kidger, David, Adrian Willaert. A Guide to Research , New York-Londen 2005. .

Kidger , David Michael, The Masses of Adrian Willaert: A Critical Study of Sources, Style and Context , Ph.D. Harvard University 1998.

Kirkendale , Warren, "Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach", in: Journal of the American Musicological Society 32 (1979), 1-44.

Krebs , Wolfgang, Die Lateinische Evangelien-Motette des 16. Jahrhunderts. Repertoire, Quellenlage, musikalische Rhetorik und Symbolik , Tutzing 1995 (= Frankfurter Beiträge zur Musikwissenschaft 25).

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L

Lenaerts , René Bernard, "De zesstemmige Mis Mente tota van Adrian Willaert", in: Musica
Sacra
42 (1935), 153-165.

*Lenaerts , René Bernard, "La Chapelle de Saint-Marc à Venise sous Adriaen Willaert
(1527-1562)", in: Bulletin de l'Institut historique belge de Rome 19 (1938), 205-255.

*Lenaerts , René Bernard, "Notes sur Adriaen Willaert maître de chapelle de Saint Marc à
Venise de 1527 à 1562", in: Bulletin de l'Institut historique belge de Rome 15 (1935), 107-
117.

Levitan , Joseph S., "Adrian Willaert's Famous Duo Quidnam ebrietas . A Composition which
Closes Apparently with the Interval of a Seventh", in: Tijdschrift der Vereeniging voor
Nederlandsche Muziekgeschiedenis
15 (1938-1939), 166-233.

Lewis , Mary S., "Antonio Gardane's Early Connections with the Willaert Circle", in: Iain
Fenlon (uitg.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts ,
Cambridge 1981, 209-226.

Lewis , Mary S., "Zarlino's Theories of Text Underlay as Illustrated in His Motet Book of
1549", in: Notes 42 (1985), 239-267.

Lewis , Mary S., Antonio Gardane and His Publications of Sacred Music, 1538-1555 , 2 vol.,
Ph.D. Brandeis University 1979.

Lewis , Mary S., Antonio Gardano. Venetian Music Printer 1538-1569. A Descriptive
Bibliography and Historical Study
, vol. 1: 1538-1549 , New York-Londen 1988.

Lewis , Mary S., Antonio Gardano. Venetian Music Printer 1538-1569. A Descriptive
Bibliography and Historical Study
, vol. 2: 1550-1559 , New York-Londen 1997.

Lockwood , Lewis H., "A Dispute on Accidentals in Sixteenth-Century Rome", in: Analecta
Musicologica
2 (1965), 24-40.

Lockwood , Lewis H., "A Sample Problem of musica ficta : Willaert's Pater noster ", in:
Harold Powers (uitg.), Studies in Music History: Essays for Oliver Strunk , Princeton 1968,
161-182.

Lockwood , Lewis H., "Adrian Willaert and Cardinal Ippolito d'Este: New Light on Willaert's
Early Career in Italy, 1515-1521", in: Early Music History 5 (1985), 85-112.

Long , Joan A., The Motets, Psalms and Hymns of Adrian Willaert. A Liturgico-Musical Study ,
Ph.D. Columbia University 1971.

Lowinsky , Edward E. (uitg.), The Medici Codex of 1518. A Choirbook of Motets Dedicated to
Lorenzo de'Medici, Duke of Urbino
, 3 vol., Chicago-Londen 1968 (= Monuments of
Renaissance Music 3-5).

Lowinsky , Edward E., "A Newly Discovered Sixteenth-Century Motet Manuscript at the
Biblioteca Vallicelliana in Rome", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the
Renaissance and Other Essays
, vol. 2, Chicago-Londen 1989, 433-482.

Lowinsky , Edward E., "A Treatise on Text Underlay by a German Disciple of Francisco de
Salinas", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other
Essays
, vol. 2, Chicago-Londen 1989, 868-883.

Lowinsky , Edward E., "Adrian Willaert's Chromatic "Duo" Reexamined", in: Bonnie J.
Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2,
Chicago-Londen 1989, 681-698.

Lowinsky , Edward E., "Echoes of Adrian Willaert's "Duo" in: Bonnie J. Blackburn (uitg.),
Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989,
699-729.

*Lowinsky, Edward E., " Music in Titian's Bacchanal of the Andrians: Origin and History of the
Canon per tonos",
gepubliceerd in " Music in the Culture of the Renaissance and Other
Essays
", uitg. dr. Bonnie J. Blackburn, Chicago-Londen 1989, dl 1, p. 289 - 312.

Lowinsky , Edward E., "Problems in Adrian Willaert's Iconography", in: Bonnie J. Blackburn
(uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 1, Chicago-Londen
1989, 267-277.

Lowinsky , Edward E., "The Musical Avant-Garde of the Renaissance; or, The Peril and
Profit of Foresight", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance
and Other Essays
, vol. 2, Chicago-Londen 1989, 730-753.

Lütteken, Laurenz, Musik der Renaissance. Imagination und Wirklichkeit einer kulturellen
Praxis,
Kassel, 2011.

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Mace , Dean T., "Pietro Bembo and the Literary Origins of the Italian Madrigal", in: The Musical Quarterly 55 (1969), 65-86.

Macey , Patrick, "Savonarola and the Sixteenth-Century Motet", in: Journal of the American Musicological Society 36 (1983), 422-452.

Macey , Patrick, Bonfire Songs. Savonarola's Musical Legacy , Oxford 1998.

Malipiero , Gian Francesco en Virginio Fagotto (uitg.), Antonfrancesco Doni. Dialogo della musica , Wenen-Londen-Milaan 1965 (= Collana di musiche veneziane inedite e rare 7).

McKinney, Timothy R., "Adrian Willaert and the theory of interval affect. The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino." Sorrey, 2010.

Meier , Bernhard, "Die Octo Beatitudines in der Vertonung von Adrian Willaert und Orlando di Lasso", in: Heinrich Poos (uitg.), Chormusik und Analyse. Zweiter Teil: Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik , vol. 1, Mainz-Londen 1997, 43-54.

Meier , Helga (uitg.), Fünf Madrigale venezianischer Komponisten um Adrian Willaert, zu 4-7 Stimmen , Wolfenbüttel 1967 (= Das Chorwerk 105).

Meier , Helga, "Zur Chronologie der Musica Nova Adrian Willaerts", in: Analecta Musicologica 12 (1973), 71-96.

Miller , Jonathan Marcus, Word-Sound and Musical Texture in the Mid-Sixteenth-Century Venetian Madrigal, Ph.D. University of North Carolina at Chapel Hill 1991.

Moore , James H., "Bartolomeo Bonifacio's Rituum ecclesiasticorum ceremoniale : Continuity of Tradition in the Ceremonial of St. Mark's, Venice", in: Marc Honegger en Paul Prévost (uitg.), La musique et le rite sacré et profane. Actes du XIIIe Congrès de la Société Internationale de Musicologie. Strasbourg, 29 août-3 septembre 1982 , Straatsburg 1986, 365-408.

Moore , James H., "The Vespero delli Cinque Laudate and the Role of Salmi Spezzati at St. Mark's", in: Journal of the American Musicological Society 34 (1981), 249-278.

Moore , James H., " Venezia favorita da Maria : Music for the Madonna Nicopeia and Santa Maria della Salute", in: Journal of the American Musicological Society 37 (1984), 299-355.

Moore , James H., Vespers at St. Mark's. Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli , 2 vol., s.l.: UMI Research Press 1981.

Moretti , Laura, "Architectural Spaces for Music: Jacopo Sansovino and Adrian Willaert", in: Early Music History 23 (2004), 153-184.

Morgante, Domenico, La Musica in Puglia tra Rinascite e Rivoluzioni , Bari 1991.

Muir , Edward, Civic Ritual in Renaissance Venice , Princeton 1981.

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Newcomb , Anthony, "Editions of Willaert's Musica Nova : New Evidence, New Speculations", in: Journal of the American Musicological Society 26 (1973), 132-145.

Nugent , George E., The Jacquet Motets and Their Authors , Ph.D. Princeton University 1973.

Nutter , David Alan, The Italian Polyphonic Dialogue of the Sixteenth Century , Ph.D. University of Nottingham 1978.

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Ongaro , Giulio Maria, "Gli inizi della musica strumentale a San Marco", in: Francesco Passadore en Franco Rossi (uitg.), Giovanni Legrenzi e la cappella ducale di San Marco , Firenze 1994 (= Quaderni della Rivista italiana di musicologia 29), 215-226.

Ongaro , Giulio Maria, "Sixteenth-Century Patronage at St Mark's, Venice", in: Early Music History 8 (1988), 81-115.

Ongaro , Giulio Maria, "Willaert, Gritti e Lupato: Miti e realtà", in: Studi musicali 17 (1988), 55-70.

Ongaro , Giulio Maria, The Chapel of St. Mark's at the Time of Adrian Willaert (1527-1562): A Documentary Study , Ph.D. University of North Carolina at Chapel Hill 1986.

Owens , Jessie Ann en Richard J. Agee, "La stampa della Musica Nova di Willaert", in: Rivista italiana di musicologia 24 (1989), 219-305.

Owens , Jessie Ann, "Music Historiography and the Definition of Renaissance ", in: Notes 47 (1990), 305-330.

Owens , Jessie Ann, Composers at Work. The Craft of Musical Composition 1450-1600 , New York-Oxford 1997.

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Palisca, Claude V., Norton Anthology of Western Music. Volume I: Medieval. Renaissance. Baroque. New York. Sec. ed. 1988.

Passadore , Francesco en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età
moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7
settembre 1994
, Venetië 1998.

Picker , Martin (uitg.), The Motet Books of Andrea Antico , Chicago-Londen 1987
(= Monuments of Renaissance Music 8).

Pike , Lionel, Hexachords in Late-Renaissance Music , Aldershot-Brookfield 1997.

Pirrotta , Nino, "Willaert e la canzone villanesca", in: Nino Pirrotta (uitg.), Scelte poetiche di
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*Schiltz , Katelijne, "Adrian Willaert's Beati pauperes spiritu : a Structural Analysis of Its Motivic Organisation", in: Muziek & Wetenschap 7 (2001), 305-317.

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*Schiltz , Katelijne, "Content and Context: Public and Private Motet Style in Sixteenth-Century Venice", in: Anne-Emmanuelle Ceulemans en Bonnie J. Blackburn (uitg.), Music Theory and Analysis 1450-1650. Proceedings of the International Conference Louvain-la-Neuve, 23-25 September 1999 , Louvain-la-Neuve 2001 (= Musicologica neolovaniensia 9), 323-339.

*Schiltz , Katelijne, "Een zestiende-eeuwse variatie op het 'Ma fin est mon commencement'-thema: Adriaan Willaerts Homo quidam fecit ", in: Tijdschrift voor Muziektheorie 7 (2002), 24-32.

*Schiltz , Katelijne, "Le motet Confitebor tibi d'Adrien Willaert: une analyse structurelle de la secunda pars ", in: Musurgia. Analyse et pratique musicales 7 (2000), 45-59.

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*Schiltz , Katelijne, "Polyphony and Word-Sound in Adrian Willaert's Laus tibi sacra rubens ", in: Bruno Bouckaert en Eugeen Schreurs (uitg.), Proceedings of the International Conference Bruges - Venice: Music in two Urban Mosaics, Bruges, 14-16 December 2001 , Leuven-Peer (= Yearbook of the Alamire Foundation 6)

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*Schiltz, Katelijne, Adriaan Willaert en de Venetiaanse motetpraktijk. Een onderzoek naar stijlbepaling. Verhandeling, aangeboden tot het bekomen van de graad van Doctor in de Musicologie. Leuven, 2001

*Schiltz, Katelijne, Adriaen Willaert. (1488-1562) en zijn MUSICA NOVA. Programmabrochure bij het concert van 8 mei 2004 door het COLLEGIUM VOCALE GENT te Roeselare

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*Schiltz, Katelijne, Il primo libro delle Greghesche di Manoli Blessi. artikel in de program-mabrochure van het Festival van Vlaanderen Brugge (23 juli tot 6 aug. 2005), p. 171.

*Schiltz, Katelijne, 'Mi ho scritto e sembre scrivo greghe rime galande': Antonio Molino en de 16de-eeuwse Venetiaanse GREGHESCA. Bijdrage in de programmabrochure , uitgegeven door de Adriaen Willaert Stichting voor het concert van 6 mei 2006 door ZEFIRO TORNA.

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Zywietz, Michael, "'Perfectio igitur delectationis musicae consistit in eius perfecta cognitione'. Adrian Willaerts Motette Victimae paschali laudes und die Aristoteles-Rezeption in Venedig ", in: Thomas Leinkauf en Karin Hartbecke (uitg.), Der Naturbegriff in der frühen Neuzeit. Semantische Perspektiven zwischen 1500 und 1700 , Tübingen 2005, 69-86

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